Graham Clifford is an award winning, second generation graphic designer and type director who perfected his craft in some of London and New York’s best advertising agencies. He collaborates with agencies and directly with clients on branding, identity, logo and advertising design for digital, print and TV. He approaches every project with the same passion and belief in the power of a great idea. And as any communicator will tell you, a great idea is priceless. Well… not quite priceless… everything is negotiable, call for a free quote today.
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Omnilab Media
Killer Elite
We recently designed the opening title and end sequence for the movie “Killer Elite”. Based on a true story, this period action thriller is the first major motion picture directed by Gary Mckendry. The plot covers the globe from Australia to Paris, London and the Middle East. Starring Jason Statham, Clive Owen and Robert De Niro, we give it 3 thumbs up.
Killer Elite, Identity
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Lips
Ford Edge
To showcase the new MyFord Touch driver connect technology, we helped Team Detroit steer the message through consecutive right hand page ads. The 2011 Edge understands 10,000 voice and touch commands - as our hand cramps can confirm - and the campaign’s success was such that the Canadian agency asked us to hand letter the whole ad from scratch in French. Which is why we’re dictating this blurb. Mon Dieu!
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The New York Times
The New York Times
In the WSJ vs. NYT newspaper wars we came out swinging for the New York Times, contributing a tough, non-nonsense design to punch up the headlines of a citywide outdoor transit campaign. The iron fist/velvet glove tone reflects the fact that no one knows or reports better on these mean streets we call home.
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New Logo
Vineyard Vines
Vineyard Vines is an apparel and accessory brand founded in 1998 on Martha’s Vineyard by brothers Shep an Ian Murray. We were originally called in for a packaging assignment, but after a brief exploratory we arrived at the decision they needed to refresh their existing logo. This sort of thing requires a deft hand, knowing exactly how much bath water to throw out while keeping the baby happy can be a tricky business. The original logo was designed as a tie label for their first product. Since then the brand has grown into a fully fledged retailer with lines for men and women. We took a surgeons knife to the word mark and amputated Martha’s Vineyard, optically adjusted the letter spacing, carefully trimmed ascender and descender and added the company’s cute pink whale mascot aloft. By subtly transforming the logo we imbue the brand with more sophistication while keeping a hint of whimsy.
Vineyard Vines, Logos
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SHAQ
Reebok
How do you design a logo for someone who’s larger than life? Like this. Applied to TV commercials and T-shirts, Reebok saw to it that Mr. O’Neal (or “sir”, as we call him) and his size 23s took the NBA and the retail market by storm.
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Best in Show
Type Directors Club
This year marks the Type Directors Club’s 65th anniversary and the 57th year of juried competitions to reward excellence in the typographic arts. We felt it was high time that the competition awarded a “Best in Show”, so we designed one. The award is a scale replica of a Franklin Gothic lowercase “t” milled from a solid chunk of aluminum. High polished on the face and 2 sides, satin finished on 2 sides and oxidized on the shoulder. The inaugural award was handed to Niklaus Troxler from Switzerland for his poster Ullman-Kühne at the Cooper Union opening last July.
Type Directors Club, Identity
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Teany
Teany
Visuals: GCD. Lyrics: Moby. The packaging for the musician’s tea and fruit beverages - designed to reflect the bold flavours - features a quirky character and copy created by the maestro himself. A One Show Design and Creativity’s design annual winner, it failed to land us a support gig at Bonaroo.
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Paper Moon
Time Warner/Stella Artois
Forget dinner and a movie, why not a fine pilsner and a flatscreen? This co-promotion between Stella Artois and Turner Classic Movies mixed behind-the-scenes facts of well-known films with the exclusive 9-step pouring process of the Belgian elixir. A potent brew, and one that went down well.
Time Warner/Stella Artois, Advertising
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Image Section
Los Angeles Times
When the LA Times were looking to create typographic illustrations of fashion accessories for the launch of their new Image section in the Sunday edition, they gave us the word. The campaign ran as outdoor, print and 30 second animated commercials in movie theatres.
Los Angeles Times, Advertising
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Finger
Ford Edge
To showcase the new MyFord Touch driver connect technology, we helped Team Detroit steer the message through consecutive right hand page ads. The 2011 Edge understands 10,000 touch and voice commands - as our hand cramps can confirm - and the campaign’s success was such that the Canadian agency asked us to hand letter the whole ad from scratch in French. Which is why we’re dictating this blurb. Mon Dieu!
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New York Cares
New York Cares
One day a year city dwellers are encouraged to pick up a broom and help clean up their streets, playgrounds, and immediate living environs. We created these posters with antique wood block type; using under-inking, grain and printing on newsprint which helps impart the necessary gritty, “can-do” energy.
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Orbitz
Orbitz
A homage to the great travel posters of the 50s and 60s, TBWA/Chiat/Day NY let us loose on the typographic design for this series. This led to weeks of researching, reviving and redrawing fonts from a bygone era – but, curiously, no actual traveling.
Orbitz, Advertising
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Twin Label
Molson Canadian
We designed two exclusive fonts as well as the “twin” label attached to the back of each bottle for Crispin Porter + Bogusky’s Twin Label Technology promotion for Molson Canadian. Over 200 were produced, sales were up over 30% and the concept took home a lion at Cannes. We’ll drink to that.
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Arnette
Arnette
Cutwater SF commissioned us to create a custom antique wood type wordmark for their NOTORIOUS campaign. We painstakingly rummaged through our extensive library of old, dusty type specimen catalogues to uncover these gems. Best of all, because the type was created digitally nobody had to suffer a broken nail or endure a nasty splinter.
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Friends of Animals
Friends of Animals
When we got our paws on this idea the use of city street parking signs seemed a natural attention-grabber. It duly grabbed a silver pencil at Britains D&AD. And, hopefully, saved some skins.
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The Glenlivet
The Glenlivet
This nectar takes 12 or 18 years to mature. Berlin Cameron wanted the ads in a few weeks. Crafting type and layout faithful to the original labels, the results were printed, embossed, foil stamped, die-cut, wrapped around the bottles and photographed. In all, an absolute dram to work on.
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Modern Marvels
History Channel
The Brooklyn Brothers thought we should get outdoors more, so they asked us to explore this billboard for the History Channel’s design series. The inventions and constructions that shaped the world became, in turn, the shape of the letterforms for the show title. Hard for a typographer to admit, but sometimes a picture really is worth...
History Channel, Advertising
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Interesting
Dos Equis
When “The Most Interesting Man in the World” needed some typographic styling, guess who he turned to? The campaign picked up a lion at Cannes, sales picked up 17%, and everyone stayed thirsty, my friends.
Dos Equis, Advertising
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Annual Fund Raiser
The Thorn Tree Project
The Thorn Tree Project is an 8 year old organisation created by our long standing friend Jane Newman. The Trust is dedicated to providing education to the families of the nomadic Samburu tribe in one of the worlds most inhospitable regions of Africa — Northern Kenya. The identity draws inspiration from the preschools which use a large thorn tree as their classroom. We created an identity that made the charity look professional to well-heeled New Yorkers as well as harnessing local cultural influences. However, Jane’s happiest moment was seeing the super low-tech version of the logo on a rubber stamp that can be used in the middle of nowhere with no electricity.
To donate please visit Clodagh cares. T-shirt photograph by Lyle Owerko.
The Thorn Tree Project, Identity
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Northern Lights
Northern Lights
This edit and post-production facility wanted a new identity, but mercifully no Polar location to match. The clean, distinctive custom wordmark is a reflection of the company’s attention to detail and the care taken to assemble multiple elements in creating a clean, compelling narrative. And everyone thought it was, aptly enough, pretty cool.
Northern Lights, Logos
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Filter by:
Archive-
Killer Elite
Killer Elite (2011)
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Splendid Seed Cigar Company
Splendid Seed Cigar Company (1998)
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Pointed Stick Theatre Company
Pointed Stick Theater Company (1996)
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Putnam
Putnam Investments (1998)
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Absolut Junk
Absolut (1999)
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Olympus
Olympus (1986)
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ISE Execution
I.S.E. (2006)
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iSE Boxing Glove
I.S.E. (2006)
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ISE Telephone
I.S.E. (2006)
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ISE Finger
I.S.E. (2006)
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Working Class
Working Class (2002)
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Absolut Origin
Absolut (2003)
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Absolut Halo
Absolut (2003)
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Sydney Blues Society
Sydney Blues Society (2000)
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Movielink — Kung Fu
Movielink (2006)
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Movielink - Hair
Movielink (2006)
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Absolut Truth
Absolut (2003)
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Grants
Grants (1997)
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Adworks Map
Adworks (2006)
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Ali G
HBO (2005)
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Outdoor
Honeywell (1986)
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New England Aquarium
New England Aquarium (2009)
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New England Aquarium
New England Aquarium (2009)
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Hospital for Special Surgery
Hospital for Special Surgery (2009)
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Hospital for Special Surgery
Hospital for Special Surgery (2010)
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Hospital for Special Surgery
Hospital for Special Surgery (2010)
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XGames
ESPN (2004)
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Kate Spade
Kate Spade (1999)
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Nicotinell
Novartis (2003)
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Merrill Lynch
Merrill Lynch (2005)
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The Orchard Group
The Orchard Group (2010)
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NextGate
NextGate (1999)
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Hello
Hello (2000)
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Les Fontaines
Ernst & Young (2003)
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Frogg
Frogg (2003)